Friedrich Nietzsche’s famous quote that “God is dead” dates back to his 1882 book “The Gay Science.” The notion entered public consciousness with the provocative 1966 Time magazine cover, which asked, in large red type, “Is God dead?” It has been clear for a while now that, no matter how many holdouts there may be with regard to personal beliefs, the monotheistic God of the Abrahamic religions no longer lays claim to the cultural power He held from the reign of Constantine to the Protestant Reformation.
Until now, what comes next has remained an open question. The husk of institutional Christianity has limped along for the last hundred or so years, with Hollywood and the literati (and recently corporations as well) feeling little to no compunction about dancing on its grave. But if world history has shown us anything, it is that religiosity is a deeply human impulse, and one that will not so easily perish from this earth.
Tara Isabella Burton’s new book “Strange Rites: New Religions for a Godless World” takes a look at the various ways religious tendencies are popping up in our post-modern, post-Christian culture. Describing members of upcoming generations as neither purely atheistic or purely Christian, Burton terms them “Religiously Remixed.” Just as the invention of the printing press spurred on humanistic transfigurations of the Church into dozens of branches of Protestantism, the rise of the Internet has allowed every Millennial and Zoomer to pick and choose doctrine to follow and idols to worship. These include major commercial properties like Harry Potter and Marvel, self-help and self-care mantras such as those prescribed by Gwyneth Paltrow for women and Jordan Peterson for men, and New Age mumbo-jumbo like horoscopes and tarot cards.
On the surface, these outlets all seem relatively harmless, things for us to do and to care about in an age in which we’ve been separated geographically from our families and told to put off starting our own. Burton’s read on the new normal get significantly bleaker toward the end of her book, as she gives her take on larger social movements she believes have the potential to become institutionalized as religious traditions. Her description of the “Gospel of Social Justice” in particular seems prophetic. Although eagle-eyed culture warriors foretold of the matriculation of “cancel culture” from college campuses to the country at large, even the most pessimistic Cassandras could hardly have predicted this level of unmitigated success. Wanting to tear down statues of George Washington and Abraham Lincoln is no longer a niche position, nor is the notion that it one is to disregard public health imperatives in the name of “anti-racism.”
Less prominent but perhaps no less terrifying is the other quasi-religious trend identified by Burton: transhumanism. Unrelated to the “trans” prefix obsessed over by the SJW movement, transhumanism is the desire that humanity should be transcended and our lives prolonged indefinitely. Not uncommon in Silicon Valley, transhumanists (or techno-utopians, as Burton calls them) believe in the power of technology to free us from the chains of flesh and blood. Whereas Gwyneth Paltrow’s readers pursue “anti-aging” to merely look young forever, Peter Thiel’s are trying to actually be young forever. One of the foremost goals of this movement is to be able to “upload” human consciousness so that one can continue to “live” after one’s body has withered away. If you think that such an insane idea lacks appeal, consider that the most popular episode of “Black Mirror,” a program typically pessimistic about the role of technology in society, is “San Junipero.” In that episode, deciding to be euthanized and “uploaded” to the simulation is considered a happy ending.
The best reason to read “Strange Rites” is to be prepared. The world is changing rapidly, and truths that were once held to be self-evident are now threatened. Even after Enlightenment thinking caused belief in a personal God to wane (remember, most of the Founding Fathers considered themselves Deists), Christianity remained a lingua franca. Today, few people have read the Bible, and if there is anything resembling a shared language, it is more likely to include Muggles and Dementors than angels and demons. In other words, the kids are not all right.
Book Review: ‘The Final Girl Support Group’
Release Date: July 2021
Cozy up on your next snow day and read Gary Hendrix’s The Final Girl Support Group.
Author of The Southern Book Club’s Guide to Slaying Vampires (2020), Grady Hendrix succeeds again in tapping into our favorite horror films to deliver this mystery. Six young women make up the “Final Girl Support Group.” Each survived horrific massacres that have been turned into successful film franchises. Movies such as Friday The 13th and Halloween actually happened in this version of America. Twenty years later the spotlight has moved on and society has found new monsters and victims. Still, these women sit in a circle of chairs in a church basement trying to figure out how to live their lives. Paranoid Lynnette Tarkington reluctantly participates in group therapy sessions with Dr. Carol Elliot along with fellow survivors Marilyn Torres, who has buried her emotions in wealth; Dani Shipman, who might have killed the wrong person; Julia Campbell, whose encounter left her in a wheelchair; and Heather DeLuca, who is succumbing to addiction. Some of them are in denial about what happened. Some still live in terror, always looking over their shoulders, imprisoned by their own fears.
After one member of this vigilant sisterhood is murdered and a series of persistent attacks threaten the rest, Lynnette becomes increasingly suspicious that the attacks are originating way too close to their inner circle. “Does this ever end?” Lynnette asks. “Will there always be someone out there turning little boys into monsters? Will we always be final girls? Will there always be monsters killing us? How do we stop the snake from eating its own tail?” The book is creepy enough on its face, but Hendrix’s use of narrative tools heightens the unease.
The Final Girl Support Group isn’t necessarily scary, but the plot is action-packed and delivers its share of gore. The novel is an ultimately entertaining and inspiring take on horror movies, trauma, and self-determination. Available on Amazon!
Book Review: ‘The Seven Husbands of Evelyn Hugo’
I first read The Seven Husbands of Evelyn Hugo this past month after my friend and I swapped our favorite summer books. I opened the book one Saturday morning and couldn’t put it down. Despite the fact that it was published nearly five years ago, The Seven Husbands of Evelyn Hugo continues to captivate readers’ interest on BookTok, Bookstagram, and Goodreads.
This story is about renowned Hollywood actress Evelyn Hugo who, after decades of blockbuster hits, is now 79 and ready to give an exclusive interview after years of dodging the press. But the only one granted access is a little-known journalist named Monique Grant. Though she can’t understand why she’s been chosen, Monique goes to Evelyn’s home and finds out Evelyn doesn’t just want to do an interview — she wants to lay out every piece of her truth for Monique to write and sell her biography.
Though Evelyn won’t answer why she picked Monique to do the job, Monique agrees and Evelyn’s story begins to unfold from her calculated beginnings in Hollywood to the millions she enjoys in the present, each section of her life titled by each of her seven husbands and her reasons for marrying (and divorcing) them. As you journey through Evelyn’s life, it feels as if you’re being granted exclusive access to something you shouldn’t be seeing. It’s hard to believe the characters and events in this book aren’t real celebrities.
To me, a great book is one that makes you forget you’re reading in the first place, and The Seven Husbands of Evelyn Hugo does exactly that. It’s an instantly captivating book, thanks in part to the story, but mostly to Taylor Jenkins Reid’s writing. Her stories flow smoothly, her characters are complex and realistically flawed, and I happily got lost in the pages until the very end. This is the perfect cozy fall read!
Book Review: ‘Verity’ By Colleen Hoover
Colleen Hoover is all the rage this summer. The author’s 2016 romance novel It Ends With Us gained fame due to the viral nature of #BookTok (the book lover’s community on TikTok). I’ve always loved reading, especially during the summer months by the beach and pool. Surely because of this, my “For You Page” has been flooding with recommendations and reviews as to what to read next. I can without a doubt say that Verity is worth the hype.
Verity was first published in 2018 and has only just become available worldwide in paperback. I started reading Colleen Hoover last summer when I first discovered It Ends With Us on #BookTok and have read four of her other books since. Given that I finished this one in a day, I would say it is extremely readable!
Verity is different from Hoover’s usual style and genre of romance. This novel is twisting, unsettling, creepy, and psychologically mind-bending. From the beginning, I could not put it down. The plot follows protagonist, Lowen Ashleigh, a struggling writer who accepts a job offer to complete the remaining books of an unfinished, successful series. Jeremy Crawford, the husband of bestselling author Verity Crawford, has hired Lowen due to his wife’s serious injuries. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover is an unfinished autobiography Verity never intended for anyone to read. With shades of Gillian Flynn blending in with Hoover’s classic take on romance, our protagonist finds herself uncovering a story so horrifying, and all the while, falling for a grieving man. There is a thrilling twist at the end, which I am happy to debate, but I’m not giving any spoilers until you read it for yourself! Overall, I highly recommend the purchase. Find it on Amazon.